Le Vision Pictures

Founded in 2011, Le Vision Pictures is a leading enterprise in China's internet film and television industry and one of the most commercially valuable and innovative film companies in the sector. In 2012, Le Vision Pictures produced and distributed 6 films including The Expendables 2 and The Bullet Vanishes. In 2013, it released 9 films such as Tiny Times 1 and Tiny Times 2: Tiny Time of Youth, creating a new genre of Chinese youth films. In 2014, Le Vision Pictures produced and distributed 13 films including Boonie Bears: Robo-Rumble, Coming Home, Old Boys: The Way of the Dragon, Tiny Times 3, and The Expendables 3, broadening its audience base. In 2015, it released 13 films such as Boonie Bears: Mystical Winter, You Are My Sunshine, Dad, Where Are We Going? 2, Tiny Times 4, The Crossing, and Chronicles of the Ghostly Tribe, catering to diverse audiences with different genres. Le Vision's self-produced web drama Go Princess Go became a phenomenal hit. In 2016, the 11 films produced and distributed by Le Vision Pictures each surpassed 100 million yuan at the box office, achieving an industry miracle. The annual box office totaled 3.93 billion yuan, with a counter-trend growth rate of 71.5%, ranking second among private film companies. The film Boonie Bears: The Big Shrink, released in 2016, surpassed 100 million yuan within two days of release, setting a new box office record for domestic animated film series. The produced and distributed Time Raiders led the summer season with a box office of 1 billion yuan. The film The Great Wall was the first truly Sino-American co-production, implementing the Sino-US G2 strategy proposed by Le Vision Pictures to jointly target the global film market. It became a milestone in the globalization of Chinese cinema and achieved excellent box office results in the Belt and Road markets. In 2017, Le Vision Pictures will continue its audience-segmented IP operation model, providing diverse film and television products for different audience segments, promoting the integration of the large video industry, launching multiple internet ecosystem film and television products based on the network-film linkage model, and further advancing the globalization of the film industry.